WebGlyph 2025.1

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Draw Hieroglyphs Left-to-Right
Draw Hieroglyphs Right-to-Left

Center Glyphs Vertically
Drop All Glyphs on Baseline

Draw Hieroglyphs in Lines
Draw Hieroglyphs in Columns

Inter-line space	%
Scale	cm
Stroke Width
Extra space between blocks	%
Black Rendition
Red Rendition

Original is Hieratic
Draw Lines Between Columns
Block-Justify Lines
Dark Background

Style: Gardiner (18^th Dynasty, Thutmose era) Greco-Roman y is rendered as 𓏭 (Old MdC) 𓇋𓇋 (New ICE)

Coding

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Preview

Rendition

Please Wait... Hieroglyphs

Introduction

History
• Brief History
• Release Notes
• Latest News

History
• Brief History
• Detailed History
• Release Notes
• Latest News

Coding Hieroglyphs

Special Codes

Arrangement in Groups

Additional Codes

Flipping and Turning

Signs Within Signs
• Built-in Combinations
• More Sophisticated

Hatching(s)

Parameters
• Available Parameters
• Effect of Parameters
• Personal Settings

The color of Hieroglyphs

Cartouches

Other Character Sets

Differences between WebGlyph, WinGlyph and JSesh

Including Hieroglyphs
in Documents

Feed-back

Embedded usage

Sign Lists

Gardiner	Greco-Roman (Extended)
A: Man and his occupations	A: Seated men, kings, and children; standing men and kings; groups; men with animals; enemies and recumbent figures
B: Woman and her Occupations	B: Seated women and queens; standing women and queens; groups
C: Anthromorphic Deities	C: Seated and standing male human-headed deities; seated and standing female human-headed deities; seated and standing animal-headed deities
D: Parts of the Human Body	D: Parts of the Human Body
E: Mammals	E: Horned mammals; canines; felines; apes; other mammals
F: Parts of Mammals	F: Parts of Mammals
G: Birds	G: Birds of prey; birds with long legs and bills; birds with short legs and bills; young birds and chicks; groups, and birds with non-avian heads
H: Parts of Birds	H: Parts of Birds
I: Amphibious Animals, Reptiles, et cetera	I: Cobras and vipers; crocodiles; frogs and tadpoles; lizards and turtles
K: Fishes and Parts of Fishes	K: Fishes and Parts of Fishes
L: Invertebrata and Lesser Animals	L: Invertebrata and Lesser Animals
M: Trees and Plants	M: Parts of plants; reeds; papyrus and lotus; trees
N: Sky, Earth, Water	N: Sky, Earth, Water
O: Buildings, Parts of Buildings, et cetera	O: Dwellings and fortresses; temples, chapels, pylons, and façades; tents; columns and obelisks; other parts of buildings
P: Ships and Parts of Ships	P: Simple to complex boats; sails, masts, and other parts of ships
Q: Domestic and Funerary Furniture	Q: Domestic and Funerary Furniture
R: Temple Furniture and Sacred Emblems	R: Temple Furniture and Sacred Emblems
S: Crowns, Dress, Staves, et cetera	S: Crowns, Dress, Staves, et cetera
T: Warfare, Hunting, Butchery	T: Knives, clubs, and sticks; bows, arrows, and shields; nets
U: Agriculture, Crafts and Professions	U: Agriculture, Crafts and Professions
V: Rope, Fibre, Baskets, Bags, et cetera	V: Rope, Fibre, Baskets, Bags, et cetera
W: Vessels of Stone and Earthenware	W: Vessels of Stone and Earthenware
X: Loaves and Cakes	X: Loaves and Cakes
Y: Writings, Games, Music	Y: Writings, Games, Music
Z: Strokes, Signs Derived from Hieratic, Geometric Figures	Z: Strokes, Signs Derived from Hieratic, Geometric Figures
Aa: Unclassified	Aa: Unclassified
Ff: Hieratic

For an overview of the differences between the Gardiner set and the Greco-Roman (Extended) set, click here.
For an overview of the complete Gardiner Collection and its phonetic alternates click here.

Library:

Select a symbol from this group

Demonstration texts

Basic encoding
Cartouches
Hatching
Additional codes
Grammatical codes
Other charactersets
Rotation and Inversion
Hymne à la crue du Nil
The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 8
The hieroglyphic alphabet
Live long and prosper
Sample Cartouches
- Sample Cartouches, Cleopatra
- Sample Cartouches, KingTut

Sample documents

The admonitions of an Egyptian Sage, Leiden papyrus I344
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 1
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 2
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 3
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 4
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 5
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 6
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 7
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 8
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 9
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 10
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 11
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 12
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 13
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 14
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 15
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 16
- The admonitions of an Egyptian Sage, Leiden papyrus I344, Page 17
British Museum Papyrus 5645
- British Museum Papyrus 5645, Recto
- British Museum Papyrus 5645, Verso
The Biography of Chnumhotep, Prince of Beni Hassan
- The Biography of Chnumhotep, Prince of Beni Hassan, 1 to 28
- The Biography of Chnumhotep, Prince of Beni Hassan, 29 to 51
- The Biography of Chnumhotep, Prince of Beni Hassan, 52 to 74
- The Biography of Chnumhotep, Prince of Beni Hassan, 75 to 96
- The Biography of Chnumhotep, Prince of Beni Hassan, 97 to 120
- The Biography of Chnumhotep, Prince of Beni Hassan, 121 to 144
- The Biography of Chnumhotep, Prince of Beni Hassan, 145 to 160
- The Biography of Chnumhotep, Prince of Beni Hassan, 161 to 179
- The Biography of Chnumhotep, Prince of Beni Hassan, 180 to 198
- The Biography of Chnumhotep, Prince of Beni Hassan, 199 to 222
The Myth of the Destruction of Mankind
The story of the Eloquent Peasant
- The story of the Eloquent Peasant, R 1 to 7
- The story of the Eloquent Peasant, R 8 to 34
- The story of the Eloquent Peasant, R 35 to 53
- The story of the Eloquent Peasant, B1 1 to 20
- The story of the Eloquent Peasant, B1 21 to 40
- The story of the Eloquent Peasant, B1 41 to 60
- The story of the Eloquent Peasant, B1 61 to 80
- The story of the Eloquent Peasant, B1 81 to 101
- The story of the Eloquent Peasant, B1 102 to 150
- The story of the Eloquent Peasant, B1 151 to 190
- The story of the Eloquent Peasant, B1 191 to 208
- The story of the Eloquent Peasant, B1 215 to 240
- The story of the Eloquent Peasant, B1 241 to 280
- The story of the Eloquent Peasant, B1 281 to 321
- The story of the Eloquent Peasant, B2 91 to 120
- The story of the Eloquent Peasant, B2 121 to 142
Scarabs from Amenophis III
- Scarabs from Amenophis III, A wild cattle hunt
- Scarabs from Amenophis III, His marriage with Tiy and the boundaries of his empire
- Scarabs from Amenophis III, The arrival of the princess Gilukhipa
- Scarabs from Amenophis III, The construction of a pleasure lake
- Scarabs from Amenophis III, His success in 10 years' lion-hunting
Shipwrecked Sailor (Papyrus Golenischeff 1913)
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 1 to 11
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 12 to 23
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 24 to 36
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 37 to 50
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 51 to 64
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 65 to 78
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 79 to 93
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 94 to 108
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 109 to 123
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 124 to 132
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 133 to 142
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 143 to 151
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 152 to 160
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 161 to 169
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 170 to 176
- Shipwrecked Sailor (Papyrus Golenischeff 1913), 177 to 189
Berlin Papyrus 3022 (Sinuhe)
- Berlin Papyrus 3022 (Sinuhe), Excerpt
- Berlin Papyrus 3022 (Sinuhe), Page 1
- Berlin Papyrus 3022 (Sinuhe), Page 2
Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 6 (VI)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 7 (VII)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 8 (VIII)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 9 (IX)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 10 (X)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 11 (XI)
- Westcar Papyrus (Berlin 3033, Story of the miracles that happened in the reign of Cheops), Page 12 (XII)

Documents by Jean-Pierre Guglielmi

STORM STELA BACK V2
STORM STELA FACE V2
WebGlyph_Shabti

Before the first dynasty
First dynasty
Between first and second dynasties
Hor Ba
Seneferka
Second dynasty
Third dynasty
Fourth dynasty
Fifth dynasty
Sixth dynasty
Eight dynasty
Ninth and Tenth dynasties
Eleventh dynasty
Twelfth dynasty
Thirteenth dynasty
Fourteenth dynasty
Fifteenth dynasty
Sixteenth dynasty
Seventeenth dynasty
Eighteenth dynasty

Nineteenth dynasty
Twentieth dynasty
Twenty-first dynasty
Twenty-second dynasty
Twenty-third dynasty
Twenty-fourth dynasty
Twenty-fifth dynasty
Twenty-sixth dynasty
Twenty-seventh dynasty
Between twenty-seventh and twenty-eight dynasties
     Petubastis III
Twenty-eighth dynasty
     Amyrtaios (404-399 BC)
Twenty-ninth dynasty
Thirtieth dynasty
Thirty-first dynasty
After thirty-first dynasty
     Khababash
Greek era
Ptolemaeic era
Roman era

Look up by name:
Show within 1 century from BC AD

Explore WebGlyph Hieroglyph Libraries

Symbol:

Create Transliteration Text

Translateration can be entered in quite a number of ways. WebGlyph is committed to remain compatible with input-texts that were created in the 1980s, but also wants to support modern coding mechanisms such as Unicode.

This tool offers the ability to create transliteration texts, which then can be transferred into documents, both as Unicode, which can be inserted into any modern text processor, as well as into WebGlyph input-texts, coded as per the Manuel de Codage.

To create a transliteration text, either type text in the either of the two input-boxes, or click on the symbols in the line under the boxes. When one of the symbols under the boxes is clicked, that symbol will be entered in the box labeled "Transliteration", and the code from the Manuel de Codage will be entered in the box labeled "Code". (Before clicking on any symbol underneath the boxes, be sure the cursor is positioned as desired in the box labeled "Transliteration".) When text is typed in either of the two boxes, the corresponding text will be updated in the other box.

When the transliteration text is complete, the standard copy/paste method can be utilized to include the text in the appropriate documents.

Transliteration:

Code:
+T +S

HTML:

(Characters outside the 7-bit ASCII set can be represented as either “&#nnn;”, where nnn is the decimal representation for the Unicode number of that character, or as “&&hhh;”, where hhh is the hexadecimal representation.
The hexadecimal representation will always be converted to its decimal equivalent.)

ꜣ

ỉ

ꜥ

ḥ

ḫ

ẖ

ḳ

ṯ

ḏ

⸗

⟨

⟩

⸢

⸣

Ꜣ

Ỉ

Ꜥ

Ḥ

Ḫ

H̱

Ḳ

Ṯ

Ḏ

Add symbol:

Symbol style: Gardiner Greco-Roman WebGlyph

Fetch group:

How to use the Group Editor Program

Any number of symbols can be included in a group, and in any orientation. Select a symbol by entering its Gardiner code (A1, B2, etc.) in the box labeled “Add symbol”, and then click on the button labeled “Add one symbol”.

The new symbol will appear in the upper left corner. Using the marking on the right lower corner of the symbol, the symbol can be re-sized to any level of magnification (or reduction). Note that the relation between height and width will not be distorted.

A symbol can be moved to any location within the grid by clicking on any location within the rectangle for the symbol, and dragging it to the desired location.

When symbols overlap, it may be hard to click on the right symbol to drag or re-size it, when that happens, click on the button labeled “Focus” for that symbol, and then drag or re-size it.

When a symbol was included in error, click on the button labeled “Remove” for that symbol, and it will be deleted.

The standard transformations can be applied to a symbol by adding the usual suffix:
   \h: A horizontal inversion, i.e. reflection over a vertical axis.
   \v: A vertical inversion, i.e. reflection over a horizontal axis.
   \r1: A rotation, counter-clockwise over 90°.
   \r2: A rotation, counter-clockwise over 180°.
   \r3: A rotation, counter-clockwise over 270°.
   \t1: A rotation, counter-clockwise over 90°, followed by a vertical inversion.
   \t2: A rotation, counter-clockwise over 180°, followed by a vertical inversion.
   \t3: A rotation, counter-clockwise over 270°, followed by a vertical inversion.

Digitize Image

Click to Move     Draw     to the selected coordinate
Select coordinate     Adjust coordinate
or find Center     Radius     of circle(segment)

To insert a circle-segment, first click on the segment-type below
then click on the location of the center of the circle
and finally click on a location on the arc.

Click to establish axis of symmetry



Name:
Others can see this symbol
Optional: Resize image so that height becomes %
Copy library symbol

How to use the Digitizer program

Step 1a: select the image that you want to digitize.
Click on the button labeled “Upload Background Image”, and use your system’s directory-browser to select the file in question.
The image will be transmitted to the web-server, and the image will appear in, the area on the left-hand side of the page.
(Note: it may take a minute before the image will be fully uploaded...)

Step 1b: Or: select a symbol from one of the standard libraries (“Gardiner”, “GrecoRoman” or “WebGlyph”) using the input-box labeled “Copy library symbol”.
The selected image will be rendered in the large box, and can be edited using the steps below.
Note: while symbols can be fetched from the standard libraries in this manner, modified copies can only be saved as “personal” symbols.

Step 2: now you can start the digitizing process.
The radio-buttons labeled “Move” and “Draw” indicate how the next coordinate is to be processed.
Initially, “Move” is always selected. Once you have clicked in the drawing to the location that you want to “Move” to, the “Draw” button will automatically be selected.
Now you can click in the drawing on the locations to which you want to draw (a) line(s). Each line-fragment will immediately be added to the drawing (in red).
When you want to start a new series of line-segments, click on the radio-button labeled “Move” again.

It’s always hard to aim for the right coordinate. Remember that most web-browsers have a built-in capability to zoom in and zoom out... On Windows^TM Control-Shift-Plus zooms in (enlarges) and Control-minus zooms out (shrinks).

If you want to add a circle, or a circle-segment, click on the box with the type of circle(-segment) you want to add.
The radio-button labeled “Center” will automatically be selected.
Click on the location in the drawing that corresponds to the center of that circle(-segment).
The radio-button labeled “Radius” will automatically be selected.
Now click on an arbitrary location in the path of the circle(-segment), and the selected circle(-segment) will be added to the drawind (in red).

If you made any errors, components may be erased using the buttons labeled “Erase complete path” and “Erase last line-segment”.

Step 3: save the digitized information.
Enter a name in the box labeled “Name” and then click on the button labeled “Save”.
Please note that the Manuel de Codage requires that “personal” symbols must have a name that starts with “@”.

Assume that a symbol is saved under the name "@Abc". This symbol can be used later on simply by referring to it as @Abc. When multiple users have created symbols with the same name, the following rules apply:

A reference like @Abc will render the symbol by that name that was created by the user him/herself
If the user has not created a symbol by the name of @Abc, a reference to @Abc will render the symbol by the first user found who created such a symbol
A reference like @Abc@username will render the symbol that was created by the user with the specified name
(Note: the "Personal Catalog" will show which symbols by other users are available for general use.)

To retrieve an image that was created earlier, enter the name of the image in the text-box and click on the button labeled “Fetch”.

Symmetry
Sometimes an image contains components that are symmetric. When there are, click on the appropriate (horizontal or vertical) symmetry button, and click on the location of the axis of symmetry. Once clicked, a blue line will appear to indicate the location of that axis. If the axis did not end up in the right place, click again to correct the position.
Start creating the symmetric part by clicking on the button labeled “Move” or on the appropriate circle segment. Proceed as usual, but notice that the symmetric part will immediately be drawn in blue.
To end the symmetric part, click on the button labeled “End Symmetry”. The line for the axis will disappear, and the blue symmetric part will be re-drawn in red.

Corrections
Sometimes, some coordinates need to be “smoothed out”. When a point in the drawing didn't end up in the right place, click on the button labeled “Select Coordinate”, and then click on the location that needs to be corrected. A blue “X” will mark the location. Next, click on the location where that point should have been; the drawing will be updated accordingly.
When adjusting circle-segments, click on the center of the circle to move the location of the segment, and click on a point on the arc to change the radius of the circle.

Height of image
Normally, there will be no need to resize the image when it is being saved. If the height of the image needs to be a specific percentage of the height of a block, fill in that percentage in the box labeled “Resize image so that height becomes ... %”. When a value is entered into this box, the image will be resized when it is saved, so that the height becomes the desired amount.

Change Password

Old Password
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Set preferences for unknown user

Draw Hieroglyphs Left-to-Right
Draw Hieroglyphs Right-to-Left

Center Glyphs Vertically
Drop All Glyphs on Baseline

Draw Hieroglyphs in Lines
Draw Hieroglyphs in Columns

Inter-line space	%
Scale	cm
Stroke Width
Extra space between blocks
Black Rendition
Red Rendition

Original is Hieratic
Draw Lines Between Columns
Block-Justify Lines
Synchronize Scale and Stroke-width
Show plus signs
Show HTML codes
Dark Monitor

Style: Gardiner Greco-Roman

y is rendered as 𓏭 (Old MdC) 𓇋𓇋 (New ICE)

Graphics file type “.svg” files “.png” files

Render Unicode control-characters “easy-to-read”

Fonts: Regular:

Italic:

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