This tale is rightly called by Ritson a North Country composition of some antiquity, "perhaps Scottish." Fragments of Robin Hood ballads, Motherwell informs us, were traditionally extant in his day which had not (and have not) found their way into printed collections, and we know from very early testimony that such ballads were current in Scotland. This is by far the best of the Robin Hood ballads of the secondary, so to speak cyclic, period. It has plenty of homely humor, but the heroic sentiment is gone. It does not belong to the iron, the cast-iron, age of 'Robin Hood's Birth, Breeding,' etc. (No, 149); but neither does it belong to the golden age of 'Robin Hood and the Monk,' or the Gest.
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