Jamieson, in printing this ballad, gave the husband the name Lord Randal, made many changes, and introduced several stanzas, "to fill up chasms." But the chasms, such as they are, are easily leapt by the imagination, and Jamieson's interpolations are mere bridges of carpenter's work. The admirably effective burden is taken into the story at stanza 11. As Jamieson remoulds the ballad, it is no burden, but a part of the dialogue throughout.
The main part of the action is the same as in 'Little Musgrave.' The superior lyrical quality of the Scottish ballad makes up for its inferiority as a story, so that on the whole it cannot be prized much lower than the noble English ballad.
Cunningham has rewritten the ballad in his own style, pretending, as often, to have known another recited copy: 'Sir Hugh,' Songs of Scotland, II, 130.
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