There is a copy of the broadside among the Pepys ballads, II, 148, No 130, printed, like a, b, c, for P. Brooksby, with the variation, "at the Golden Ball, near the Bear Tavern, in Pye Corner." The ballad was given in Ritson's Ancient Songs, 1790, p. 192, from A a, collated with another copy "in the hands of John Baynes, Esq." In a note, p. 332, Ritson says: "In the editor's collection is a somewhat different ballad upon the same subject, intitled 'Sir Hugh in the Grimes downfall, or a new song made on Sir Hugh in the Grime, who was hangd for stealing the Bishop's mare.' It begins, 'Good Lord John is a hunting gone.'" This last was evidently the late and corrupt copy D. Of C Scott says: "The present edition was procured for me by my friend Mr. W. Laidlaw, in Blackhouse, and has been long current in Selkirkshire. Mr. Ritson's copy has occasionally been resorted to for better readings." B is partially rewritten by Cunningham, Songs of Scotland, I, 327. The copy in R.H. Evans's Old Ballads, 1810, I, 367, is A; that in The Ballads and Songs of Ayrshire, First Series, p. 47, is of course B; Aytoun, ed. of 1859, II, 128, reprints C; Maidment, 1868, II, 140, A, II, 145, C.[foot-note]
"According to tradition," says Stenhouse, "Robert Aldridge, Bishop of Carlisle, about the year 1560, seduced the wife of Hugh Graham, one of those bold and predatory chiefs who so long inhabited what was called the debateable land on the English and Scottish border. Graham, being unable to bring so powerful a prelate to justice, in revenge made an excursion into Cumberland, and carried off, inter alia, a fine mare belonging to the bishop; but being closely pursued by Sir John Scroope, warden of Carlisle, with a party on horseback, was apprehended near Solway Moss, and carried to Carlisle, where he was tried and convicted of felony. Great intercessions were made to save his life, but the bishop, it is said, being determined to remove the chief obstacle to his guilty passions, remained inexorable, and poor Graham fell a victim to his own indiscretion and his wife's infidelity. Anthony Wood observes that there were many changes in this prelate's time, both in church and state, but that he retained his office and preferments during them all." Musical Museum, 1853, IV, 297.
The pretended tradition is plainly extracted from the ballad, the bishop's name and the date being supplied from without. The inter alia is introduced, and the mare qualified as a fine one, to mitigate the ridiculousness of making Hugh Graham steal a mare to retaliate the wrong done him by the bishop. As Allan Cunningham remarks, "tradition, in all the varieties of her legends, never invented suh an unnecessary and superfluous reason as this. By habit and by nature thieves, the Grsemes never waited for anything like a pretence to steal." In passing, it may be observed that Hugh is quite arbitrarily elevated to the rank of a predatory chief.
Scott suggested in 1803, Minstrelsy, I, 86 f., that Hugh Graham may have been one of more than four hundred borderers against whom complaints were exhibited to the lord bishop of Carlisle for incursions, murders, burnings, mutilations, and spoils committed by the English of Cumberland and Westmoreland upon Scots "presently after the queen's departure;" that is, after Mary Stuart's going to France, which was in 1548. Nearly a third of the names given in a partial list are Grames, but there is no Hugh among them.[foot-note] The bishop of Carlisle at the time was Robert Aldridge, who held the see from 1537 till his death in 1555.[foot-note] Lord Scroope (Screw) is the English warden of the West Marches in A, C, D. A Lord Scroope had that office in 1542, but Lord Wharton, Lord Dacre, and others during the last years of Bishop Aldridge's life, say from 1548 to 1555. Henry Lord Scroope of Bolton was appointed to the place in 1563, retained it thirty years, and was succeeded by his son, Thomas.[foot-note] Considering how long the Scroopes held the wardenship, and that the ballad is not so old as the middle of the sixteenth century, the fact that a Lord Scroope was not warden in the precise year when the complaints were addressed to the bishop of Carlisle would be of no consequence if Scott's conjecture were well supported.
The story is the same in A-D, and in B also till we near the end, though there are variations in the names. The scene is at Carlisle in A, C, D; at Stirling in B, E. Lord Home, who appears as intercessor for Hugh Graham in C, exercises the authority of the Scottish warden and arrests Hugh in E. Lord Home was warden of the east marches of Scotland from 1550, and I know not how much earlier, to 1564. The Lord Boles of A may possibly represent Sir Robert Bowes, who was warden of the east marches of England in 1550 and earlier. The Whitefoords of B are adopted into the ballad from the region in which that version circulated, they being " an ancient family in Renfrewshire and Lanarkshire, and latterly in Ayrshire."[foot-note]
The high jump which Hugh makes in A 18, C 12, D 4 (fourteen, or even eighteen, feet, with his hands tied on his back), is presumably an effort at escape, though, for all that is said, it might be a leap in the air. In E 16-19, the prisoner jumps an eighteen-foot wall (tied as before), is defended by four brothers against ten pursuers, and sent over sea: which is certainly a modern perversion. A is strangely corrupted in several places, 22, 114, 132. Screw is plainly for Scroope. Garlard, sometimes printed Garland, is an obscuration of Carlisle. The extravagance in 163, it is to be hoped, is a corruption also. Stanzas 3, 8 of B are obviously, as Cromek says, the work of Burns, and the same is true of 103,4. But Burns has left some nonsense in 11, 12: 'my sword that's bent in the middle clear,' 'my sword that's bent in the middle brown.' We have more of this meaningless phraseology in E 10, 11, 12, where swords are pointed 'wi the metal clear,' 'brown,' 'fine.' Stanza 15 of E is borrowed from 'Johnie Armstrong.'
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