Printed from the manuscript in Ritson's Robin Hood, 1795, I, 81; here from a transcript of the original, carefully revised by Rev. Professor Skeat.
Robin Hood sees a potter driving over the lea; the potter has been in the habit of passing that way, and never has paid toll. Little John has had a brush with the potter, and offers to lay forty shillings that no man can make him leave a pledge. Robin accepts the wager, stops the potter, and demands a "pledge"; the potter refuses to leave pledge or pay toll, takes a staff from his cart, knocks Robin's buckler out of his hand, and, ere Robin can recover it, fells him with a blow in the neck. Robin owns that he has lost. The potter says it is no courtesy to stop a poor yeoman thus; Robin agrees heartily, and proposes fellowship, also to change clothes with the potter and sell his ware at Nottingham. The potter is willing; John warns his master to beware of the sheriff. Robin takes his stand near the sheriff's gate, and offers his pots so cheap that soon there are but five left; these he sends as a gift to the sheriff's wife, who in return asks him to dinner. While they are at their meal, two of the sheriff's men talk of a shooting-match for forty shillings: this the potter says he will see, and after a good dinner goes with the rest to the butts. All the archers come half a bow's length short of the mark; Robin, at his wish, gets a bow from the sheriff, and his first shot misses the mark by less than a foot, his second cleaves the central pin in three. The sheriff applauds; Robin says there is a bow in his cart which he had of Robin Hood. The sheriff wishes he could see Robin Hood, and the potter offers to gratify this wish on the morrow. They go back to the sheriff's for the night, and early the next day set forth; the sheriff riding, the potter in his cart. When they come to the wood, the potter blows his horn, for so they shall know if Robin be near; the horn brings all Robin's men. The sheriff would now give a hundred pound not to have had his wish; had he known his man at Nottingham, it would have been a thousand year ere the potter had come to the forest. I know that well, says Robin, and therefore shall you leave your horse with us, and your other gear. Were it not for your wife you would not come off so lightly. The sheriff goes home afoot, but with a white palfrey, which Robin presents to his wife. Have you brought Robin home? asks the dame. Devil speed him, answers her spouse, he has taken everything from me; all but this fair palfrey, which he has sent to thee. The merry dame laughs, and swears that the pots have been well paid for. Robin asks the potter how much his pots were worth, gives him ten pounds instead of the two nobles for which they could have been sold, and a welcome to the wood whenever he shall come that way.
The Play of Robin Hood, an imperfect copy of which is printed at the end of Copland's and of White's edition of The Gest, is founded on the ballads of Robin Hood and the Curtal Friar and of Robin Hood and the Potter. The portion which is based on the ballad of Robin and the Potter is given in an appendix.
Robin Hood and the Butcher, No 122, repeats many of the incidents of the present ballad. The sheriff is enticed into the forest (by Little John instead of Robin Hood) in The Gest, 181 ff. This part of the story, in Robin Hood and the Butcher, is much more like that of The Gest than it is in Robin Hood and the Potter. We shall have only too many variations of the adventure in which Robin Hood unexpectedly meets his match in a hand-to-hand fight, now with a pinder, then with a tanner, tinker, shepherd, beggar, etc. His adversaries, after proving their mettle, are sometimes invited and induced to join his company: not so here. In some broadside ballads of this description, with an extravagance common enough in imitations, Robin Hood is very badly mauled, and made all but contemptible.[foot-note] In Robin Hood and the Potter, Little John is willing to wager on the result of a trial, from his own experience. Will Scadlock is equally confident in Robin Hood and the Curtal Friar, perhaps for the same reason, although this is not said. In Robin Hood and the Shepherd, Little John takes his turn after his master, and so with three of Robin's men in Robin Hood and the Beggar, No 133.
Hereward the Saxon introduces himself into the Norman court as a potter, to obtain information of an attack which William the Conqueror was thought to intend on his stronghold at Ely: De Gestis Herwardi Saxonis, 24, in Michel, Chroniques Anglo-Normandes, II, 69, attributed to the twelfth century. Wallace, in like manner, to scout in the English camp: Blind Harry's poem, ed. Moir, Book Six, v. 435 ff, p. 123 ff. This is also one of the many artifices by which Eustace the Monk deceives his enemy, the Count of Boulogne: Roman d'Eustache le Moine, ed. Michel, p. 39, v. 1071 ff, a poem of the thirteenth century. See, for Hereward and Eustace, T. Wright's Essays on Subjects connected with the Literature, etc., of England in the Middle Ages, II, 108 ff, 135.
Disguise is the wonted and simplest expedient of an outlaw mixing among his foes, "wherein the pregnant enemy does much." Fulk Fitz Warine takes the disguise of an old monk, a merchant, a charcoal-burner; Hereward, that of a potter, a fisherman; Eustace the Monk, of a potter, shepherd, pilgrim, charcoal-burner, woman, leper, carpenter, minstrel, etc.; Wallace, of a potter, pilgrim, woman (twice), etc., in Blind Harry's poem, of a beggar in ballads; Robin Hood, of a potter, butcher, beggar, shepherd, an old woman, a fisherman (?), Guy of Gisborne.
Translated by Anastasius Grün, p. 76.
This page most recently updated on 26-Mar-2011, 14:19:56. Return to main index
