Aytoun, II, 239, says of 'Richie Storie,' The words, recast in a romantic form and applied to a more interesting subject, have been set to music by a noble lady, and are now very popular under the title of 'Huntingtower.' The history of 'Huntingtower' is not so well known as might be expected. I have not been able to ascertain the authorship or the date of its first appearance (which was very probably in society rather than in print). 'Richie Storie' is not carried by our texts further back than 1802-3 (B, H). Kinloch published in 1827 a ballad from recitation, 'The Duke of Athol,' which is 'Huntingtower' passed through the popular mouth; for 'Huntingtower' became, and has continued to be, a favorite with the people. Christie, Traditional Ballad Airs, I, 166, says that he had often heard 'The Duke of Athol' in his early years, and he gives eight stanzas which do not differ remarkably from Kinloch's ballad.
The marks of the derivation of 'Huntingtower' are the terminations of lines 1, 2, 4 of each stanza, and substantial agreements in the last two stanzas with A, B, E, 5, D, F, G, 4, and with B 6, C 7, H, respectively. The name Huntingtower occurs only in B 6 of 'Richie Storie.' The author of 'Huntingtower' was no doubt possessed of a version of 'Richie Storie' which had its own peculiarities.
'Huntingtower' is too well known to require citing. It has been often printed; as, for example, in Mr. G.F. Graham's Popular Songs of Scotland, revised by J. Muir Wood, Balmoral Editiou, Glas- gow, 1887, p. 152; The Songs of Scotland, the words revised by Dr. Charles Mackay, p. 5, London, Boosey & Co. (Altered by the Baroness Nairne, and very little left of it, Life and Songs of the Baroness Nairne, edited by the Rev. Charles Rogers, 1872, p. 177.) The pleasing air strongly resembles, says Mr. Wood, one in D'Urfey's Pills to Purge Melancholy, V, 42, ed. 1719.
'The Duke of Athol' may be given for the interest it has as a popular rifacimento.
"Taken down from the recitation of an idiot boy in Wishaw;" Kinloch's Ancient Scottish Ballads, p. 170.
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